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Benjamin Franklin
"The Way to Wealth"

 

Contents

  • The text of "The Way to Wealth" with Anchors for Primary Symbols and Images
  • The Dichotomy of Perception and Behavior in Franklin's "The Way to Wealth":
  • A Review of Critical Commentary


    Benjamin Franklin's "The Way to Wealth"

    with anchors for the primary symbols and images
    forthcoming!
     

    Courteous Reader,

    I have heard that nothing gives an author so great pleasure, as to find his works respectfully quoted by other learned authors. This pleasure I have seldom enjoyed; for tho' I have been, if I may say it without vanity, an eminent author of almanacs annually now a full quarter of a century, my brother authors in the same way, for what reason I know not, have ever been very sparing in their applauses; and no other author has taken the least notice of me, so that did not my writings produce me some solid pudding, the great deficiency of praise would have quite discouraged me.

    I concluded at length, that the people were the best judges of my merit; for they buy my works; and besides, in my rambles, where I am not personally known, I have frequently heard one or other of my adages repeated, with, as Poor Richard says, at the end on't; this gave me some satisfaction, as it showed not only that my instructions were regarded, but discovered likewise some respect for my authority; and I own, that to encourage the practice of remembering and repeating those wise sentences, I have sometimes quoted myself with great gravity.

    Judge then how much I must have been gratified by an incident I am going to relate to you. I stopped my horse lately where a great number of people were collected at a vendue of merchant goods. The hour of sale not being come, they were conversing on the badness of the times, and one of the company called to a plain clean old man, with white locks, "Pray, Father Abraham, what think you of the times? Won't these heavy taxes quite ruin the country? How shall we be ever able to pay them? What would you advise us to?" Father Abraham stood up, and replied, "If you'd have my advice, I'll give it you in short, for a word to the wise is enough, and many words won't fill a bushel, as Poor Richard says." They joined in desiring him to speak his mind, and gathering round him, he proceeded as follows:

    "Friends, says he, and neighbors, the taxes are indeed very heavy, and if those laid on by the government were the only ones we had to pay, we might more easily discharge them; but we have many others, and much more grievous to some of us. We are taxed twice as much by our idleness, three times as much by our pride, and four times as much by our folly, and from these taxes the commissioners cannot ease or deliver us by allowing an abatement. However let us hearken to good advice, and something may be done for us; God helps them that help themselves, as Poor Richard says, in his almanac of 1733.

    "It would be thought a hard government that should tax its people one tenth part of their time, to be employed in its service. But idleness taxes many of us much more, if we reckon all that is spent in absolute sloth, or doing of nothing, with that which is spent in idle employments or amusements, that amount to nothing. Sloth,by bringing on diseases, absolutely shortens life. Sloth, like rust, consumes faster than labor wears, while the used key is always bright, as Poor Richard says. But dost thou love life, then do not squander time, for that's the stuff life is made of, as Poor Richard says. How much more than is necessary do we spend in sleep! forgetting that the sleeping fox catches no poultry, and that there will be sleeping enough in the grave, as Poor Richard says. If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality, since, as he elsewhere tells us, lost time is never found again, and what we call time-enough, always proves little enough: let us then be up and be doing, and doing to the purpose; so by diligence shall we do more with less perplexity. Sloth makes all things difficult, but industry all easy, as Poor Richard says; and he that riseth late, must trot all day, and shall scarce overtake his business at night. While laziness travels so slowly, that poverty soon overtakes him, as we read in Poor Richard, who adds, drive thy business, let not that drive thee; and early to bed, and early to rise, makes a man healthy, wealthy and wise.

    "So what signifies wishing and hoping for better times. We may make these times better if we bestir ourselves. Industry need not wish, as Poor Richard says, and he that lives upon hope will die fasting. There are no gains, without pains, then help hands, for I have no lands, or if I have, they are smartly taxed. And, as Poor Richard likewise observes, he that hath a trade hath an estate, and he that hath a calling hath an office of profit and honor; but then the trade must be worked at, and the calling well followed, or neither the estate, nor the office, will enable us to pay our taxes. If we are industrious we shall never starve; for, as Poor Richard says, at the working man's house hunger looks in, but dares not enter. Nor will the bailiff nor the constable enter, for industry pays debts, while despair encreaseth them, says Poor Richard. What though you have found no treasure, nor has any rich relation left you a legacy, diligence is the mother of good luck, as Poor Richard says, and God gives all things to industry. Then plough deep, while sluggards sleep, and you shall have corn to sell and to keep, says Poor Dick. Work while it is called today, for you know not how much you may be hindered tomorrow, which makes Poor Richard say, one today is worth two tomorrows; and farther, have you somewhat to do tomorrow, do it today. If you were a servant, would you not be ashamed that a good master should catch you idle? Are you then your own master, be ashamed to catch yourself idle, as Poor Dick says. When there is so much to be done for yourself, your family, your country, and your gracious king, be up by peep of day; let not the sun look down and say, inglorious here he lies. Handle your tools without mittens; remember that the cat in gloves catches no mice, as Poor Richard says. 'Tis true there is much to be done, and perhaps you are weak handed, but stick to it steadily, and you will see great effects, for constant dropping wears away stones, and by diligence and patience the mouse ate in two the cable; and little strokes fell great oaks, as Poor Richard says in his almanac, the year I cannot just now remember.

    "Methinks I hear some of you say, must a man afford himself no leisure? I will tell thee, my friend, what Poor Richard says, employ thy time well if thou meanest to gain leisure; and, since thou art not sure of a minute, throw not away an hour. Leisure is time for doing something useful; this leisure the diligent man will obtain, but the lazy man never; so that, as Poor Richard says, a life of leisure and a life of laziness are two things. Do you imagine that sloth will afford you more comfort than labor? No, for as Poor Richard says, trouble springs from idleness, and grievous toil from needless ease. Many without labor would live by their wits only, but they break for want of stock. Whereas industry gives comfort, and plenty, and respect: fly pleasures, and they'll follow you. The diligent spinner has a large shift, and now I have a sheep and a cow, everybody bids me good morrow, all which is well said by Poor Richard.

    "But with our industry, we must likewise be steady, settled and careful, and oversee our own affairs with our own eyes, and not trust too much to others; for, as Poor Richard says,

    I never saw an oft removed tree,
    Nor yet an oft removed family,
    That throve so well as those that settled be.
    "And again, three removes is as bad as a fire, and again, keep the shop, and thy shop will keep thee; and again, if you would have your business done, go; if not, send. And again,
    He that by the plough would thrive,
    Himself must either hold or drive.

    "And again, the eye of a master will do more work than both his hands; and again, want of care does us more damage than want of knowledge; and again, not to oversee workmen is to leave them your purse open. Trusting too much to others' care is the ruin of many; for, as the almanac says, in the affairs of this world men are saved not by faith, but by the want of it; but a man's own care is profitable; for, saith Poor Dick, learning is to the studious, and riches to the careful, as well as power to the bold, and Heaven to the virtuous. And farther, if you would have a faithful servant, and one that you like, serve yourself. And again, he adviseth to circumspection and care, even in the smallest matters, because sometimes a little neglect may breed great mischief; adding, for want of a nail the shoe was lost; for want of a shoe the horse was lost, and for want of a horse the rider was lost, being overtaken and slain by the enemy, all for want of care about a horse-shoe nail.

    "So much for industry, my friends, and attention to one's own business; but to these we must add frugality, if we would make our industry more certainly successful. A man may, if he knows not how to save as he gets, keep his nose all his life to the grindstone, and die not worth a groat at last. A fat kitchen makes a lean will, as Poor Richard says; and,

    Many estates are spent in the getting,
    Since women for tea forsook spinning and knitting,
    And men for punch forsook hewing and splitting.

    If you would be wealthy, says he, in another almanac, think of saving as well as of getting: the Indies have not made Spain rich, because her outgoes are greater than her incomes. Away then with your expensive follies, and you will not have so much cause to complain of hard times, heavy taxes, and chargeable families; for, as Poor Dick says,

    Women and wine, game and deceit,
    Make the wealth small, and the wants great.

    And farther, what maintains one vice, would bring up two children. You may think perhaps that a little tea, or a little punch now and then, diet a little more costly, clothes a little finer, and a little entertainment now and then, can be no great Matter; but remember what Poor Richard says, many a little makes a mickle, and farther, beware of little expenses; a small leak will sink a great ship, and again, who dainties love, shall beggars prove, and moreover, fools make Feasts, and wise men eat them.

    "Here you are all got together at this vendue of fineries and knicknacks. You call them goods, but if you do not take care, they will prove evils to some of you.You expect they will be sold cheap, and perhaps they may for less than they cost; but if you have no occasion for them, they must be dear to you. Remember what Poor Richard says, buy what thou hast no need of, and ere long thou shalt sell thy necessaries. And again, at a great pennyworth pause a while: he means, that perhaps the cheapness is apparent only, and not real; or the bargain, by straitning thee in thy business, may do thee more harm than good. For in another place he says, many have been ruined by buying good pennyworths. Again, Poor Richard says, 'tis foolish to lay our money in a purchase of repentance; and yet this folly is practised every day at vendues, for want of minding the almanac. Wise men, as Poor Dick says, learn by others' harms, fools scarcely by their own, but, felix quem faciunt aliena pericula cautum. Many a one, for the sake of finery on the back, have gone with a hungry belly, and half starved their families; silks and satins, scarlet and velvets, as Poor Richard says, put out the kitchen fire. These are not the necessaries of life; they can scarcely be called the conveniencies, and yet only because they look pretty, how many want to have them. The artificial wants of mankind thus become more numerous than the natural; and, as Poor Dick says, for one poor person, there are an hundred indigent. By these, and other extravagancies, the genteel are reduced to poverty, and forced to borrow of those whom they formerly despised, but who through industry and frugality have maintained their standing; in which case it appears plainly, that a ploughman on his legs is higher than a gentleman on his knees, as Poor Richard says. Perhaps they have had a small estate left them, which they knew not the getting of; they think 'tis day, and will never be night; that a little to be spent out of so much, is not worth minding; (a child and a fool, as Poor Richard says, imagine twenty shillings and twenty years can never be spent) but, always taking out of the meal-tub, and never putting in, soon comes to the bottom; then, as Poor Dick says, when the well's dry, they know the worth of water. But this they might have known before, if they had taken his advice; if you would know the value of money, go and try to borrow some, for, he that goes a borrowing goes a sorrowing, and indeed so does he that lends to such people, when he goes to get it in again. Poor Dick farther advises, and says,

    Fond pride of dress, is sure a very curse;
    E'er fancy you consult, consult your purse.

    And again, pride is as loud a beggar as want, and a great deal more saucy. When you have bought one fine thing you must buy ten more, that your appearance maybe all of a piece; but Poor Dick says, 'tis easier to suppress the first desire than to satisfy all that follow it. And 'tis as truly folly for the poor to ape the rich, as for the frog to swell, in order to equal the ox.

    Great estates may venture more,
    But little boats should keep near shore.

    'Tis however a folly soon punished; for pride that dines on vanity sups on contempt, as Poor Richard says. And in another place, pride breakfasted with plenty, dined with poverty, and supped with infamy. And after all, of what use is this pride of appearance, for which so much is risked, so much is suffered? It cannot promote health; or ease pain; it makes no increase of merit in the person, it creates envy, it hastens misfortune.

    What is a butterfly? At best
    He's but a caterpillar dressed.
    The gaudy fop's his picture just,

    as Poor Richard says.

    "But what madness must it be to run in debt for these superfluities! We are offered, by the terms of this vendue, six months' credit; and that perhaps has induced some of us to attend it, because we cannot spare the ready money, and hope now to be fine without it. But, ah, think what you do when you run in debt; you give to another power over your liberty. If you cannot pay at the time, you will be ashamed to see your creditor; you will be in fear when you speak to him, you will make poor pitiful sneaking excuses, and by degrees come to lose you veracity, and sink into base downright lying; for, as Poor Richard says, the second vice is lying, the first is running in debt. And again to the same purpose, lying rides upon debt's back. Whereas a freeborn Englishman ought not to be ashamed or afraid to see or speak to any man living. But poverty often deprives a man of all spirit and virtue: 'tis hard for an empty bag to stand upright, as Poor Richard truly says. What would you think of that Prince, or that government, who should issue an edict forbidding you to dress like a gentleman or a gentlewoman, on pain of imprisonment or servitude? Would you not say, that you are free, have a right to dress as you please, and that such an edict would be a breach of your privileges, and such a government tyrannical? And yet you are about to put yourself under that tyranny when you run in debt for such dress! Your creditor has authority at his pleasure to deprive you of your liberty, by confining you in gaol for life, or to sell you for a servant, if you should not be able to pay him! When you have got your bargain, you may, perhaps, think little of payment; but creditors, Poor Richard tells us, have better memories than debtors, and in another place says, creditors are a superstitious sect, great observers of set days and times. The day comes round before you are aware, and the demand is made before you are prepared to satisfy it. Or if you bear your debt in mind, the term which at first seemed so long, will, as it lessens, appear extreamly short. Time will seem to have added wings to his heels as well as shoulders. Those have a short Lent, saith Poor Richard, who owe money to be paid at Easter. Then since, as he says, the borrower is a slave to the lender, and the debtor to the creditor, disdain the chain, preserve your freedom; and maintain your independency: be industrious and free; be frugal and free. At present, perhaps, you may think yourself in thriving circumstances, and that you can bear a little extravagance without injury; but,

    For age and want, save while you may;
    No morning sun lasts a whole day,

    as Poor Richard says. Gain may be temporary and uncertain, but ever while you live, expense is constant and certain; and 'tis easier to build two chimneys than to keep one in fuel, as Poor Richard says. So rather go to bed supperless than rise in debt.

    Get what you can, and what you get hold;
    'Tis the stone that will turn all your lead into gold,

    as Poor Richard says. And when you have got the philosopher's stone, sure you will no longer complain of bad times, or the difficulty of paying taxes.

    "This doctrine, my friends, is reason and wisdom; but after all, do not depend too much upon your own industry, and frugality, and prudence, though excellent things, for they may all be blasted without the blessing of heaven; and therefore ask that blessing humbly, and be not uncharitable to those that at present seem to want it, but comfort and help them. Remember Job suffered, and was afterwards prosperous.
    "And now to conclude, experience keeps a dear school, but fools will learn in no other, and scarce in that, for it is true, we may give advice, but we cannot give conduct, as Poor Richard says: however, remember this, they that won't be counseled, can't be helped, as Poor Richard says: and farther, that if you will not hear reason, she'll surely rap your knuckles."

    Thus the old gentleman ended his harangue. The people heard it, and approved the doctrine, and immediately practiced the contrary, just as if it had been a common sermon; for the vendue opened, and they began to buy extravagantly, notwithstanding all his cautions, and their own fear of taxes. I found the good man had thoroughly studied my almanacs, and digested all I had dropped on those topics during the course of five-and-twenty years. The frequent mention he made of me must have tired any one else, but my vanity was wonderfully delighted with it, though I was conscious that not a tenth part of the wisdom was my own which he ascribed to me, but rather the gleanings I had made of the sense of all ages and nations. However, I resolved to be the better for the echo of it; and though I had at first determined to buy stuff for a new coat, I went away resolved to wear my old one a little longer. Reader, if thou wilt do the same, thy profit will be as great as mine. I am, as ever, thine to serve thee,

    Richard Saunders.

    July 7, 1757.
     

    Major Symbols and Images found in "The Way to Wealth"
    Coming Soon!

     

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    The Dichotomy of Perception and Behavior in Franklin's "The Way to Wealth":
    A Review of Critical Commentary

    Lee Foreman
     

    Benjamin Franklin was concerned with making the sometimes bitter pill of truth about the human condition easier to swallow by wrapping it in the fictive guise of maxims and homilies. His most famous work, Poor Richard's Almanack, was composed of sayings from various sources that his readers could both find familiar and take to heart. The core of these maxims was the topic of ethical behavior, and in "The Way to Wealth," Franklin refines and revises the maxims from the Almanack, making them more subtle and sophisticated. To present these truths in the pleasant form to which his readers had become accustomed and to underscore their underlying theme that the sayings are futile without action, Franklin employs an elaborate framework of narrator within narrator. This device allows him to present the maxims at multiple levels in order to lead the reader to Franklin's own understanding of ethical behavior. Most critical comment on the work focuses on the multiple levels of narrative structure, very often pointing out the subtle dichotomy between words and actions, while analyzing the strategies which Franklin employed to produce his intended effect on the readers.

    J.A. Leo LeMay's essay, "Benjamin Franklin," rather than discussing the aphorisms in the text that point to the disjunction between words and actions, examines the multiple narrators and the structure of the preface to support his thesis that in this work Franklin not only defends his almanac but also mocks its critics. LeMay contends that Poor Richard is burlesqued as "the naive philomath" who is referred to in italics as eminent Author, which LeMay suggests is intended to convey the "oxymoronic quality" of that appelation (216). He analyzes the portrayal of Richard as an object of ridicule in quoting himself, as well as the parallelism inherent in the "chrestomathy of Poor Richard's proverbs" quoted by Father Abraham, whose own name has a "solid Biblical resonance" (216) and whose speech is a parody of the Puritan sermon (217). LeMay states that Franklin undercuts his critics by presenting their attitudes toward the naive philomath in the philomath's own style. He also shows that the aphorisms, which usually tend to "diminish their context by their rhetorical brilliance," here are controlled by the framework which places them within a speech, which in turn is within still another framework comprising the opening and closing dramatic context (217).

    Cameron C. Nickels in his essay "Franklin's Poor Richard's Almanacs: 'The Humblest of his Labors,'" focusing on the structure which supports the aphorisms that run throughout the text, emphasizes their failed didacticism. Nickels acknowledges that "[s]tructurally, the preface must be considered as one of Franklin's finest literary achievements," and he further maintains that the frame provides the means by which Franklin "first parodies his [Poor Richard's] didactic stance and then exposes the failure of his utilitarian wisdom"(86). Nickels contends that Father Abraham's speech "typifies the didactic stance" that Poor Richard has assumed throughout (87). In contrast to most critics, he finds the piling up of maxims and the repetition of the phrase "as Poor Richard says" both tedious and "excessive to the point of absurdity" (87). He concludes that the point of Franklin's work is to expose the supposedly useful philosophy of Poor Richard as "unfulfilled," "impractical," and "ironic" (88), implying that the proverbs cannot usefully be acted upon, in distinct opposition to other critics' contentions that impelling the reader to action is, in fact, Franklin's purpose.

    Thomas J. Steele in his essay "Orality and Literacy in Matter and Form: Ben Franklin's 'Way to Wealth'" also focuses on the sayings themselves but suggests that the aphorisms offered in the narrative framework embody the distinction between words and actions. Steele examines the origins, choice, and uses of the proverbs to demonstrate Franklin's intent to present a "systematic ethical code" (277), which Steele sees as "roughly the equivalent, for the industrial capitalism about to emerge in America, of the Code of Hammurabi, the Ten Commandments, Solon's Laws, and Aristotle's Nicomachaean Ethics in their eras" (276-7). Steele thus points out that this set of ethics concerned with industriousness and frugality replaces the community's oral "moral control" with a "written prototype . . . able to be interiorized as each individual's superego" (277). Steele posits the importance of individual action in relation to the community and finds that "where the oral and communal has failed, the literate and individual still has hope of succeeding" (282). Steele concludes that Franklin "has made the breakthrough from the ineffective old morality to a new world of system and ethics . . ." (282), that is, from an ethical system based on religious values to one formulated in the context of America's emerging economic system, where individual responsibility was to be the cornerstone. He believes that in so doing, Franklin rejected the oral values of the past in order to create a new structure based on individual ethical action.

    In "Benjamin Franklin, the Inveterate (and Crafty) Public Instructor: Instruction on Two Levels in 'The Way to Wealth,'" Patrick Sullivan takes the related view that the words/action dichotomy is presented as a tension between the proverbs and their application. He argues that, in fact, Franklin "proceeds in two contradictory directions," first "to offer instruction to the public in the simplest, most accessible and memorable form--the proverbial saying" (248) and secondly "to encourage the public to examine--rather than accept passively--the familiar quotation" (249). He notes that "the two major narrative units of the preface (the dramatic context and the compendium of proverbs)" (251) provide the basis for understanding the gap between "repeating" and "practicing" the proverbs (252). Sullivan points out that the crowd which turns away thus undermines the words of Father Abraham, while Richard's decision to follow their precepts draws the reader to the "distinction between choosing not to follow precepts and not being able to" (254). Sullivan maintains that the Newtonian opposition of proverbs is at the heart of Franklin's philosophy that it is the reader who must "grapple with competing hypotheses" (254). It is this engagement of the reader through challenging his critical faculties that Sullivan sees as the basis of Franklin's dialectic structure, "in effect, training and encouraging his readers to think independently--rather than to follow slavishly and uncritically the precepts of others" (255). By presenting the reader with conflicting arguments, Sullivan maintains, Franklin forces the reader to draw conclusions independently, thus providing the reader with both the example and the experience of critical thinking.

    Edward J. Gallagher in his "The Rhetorical Strategy of Franklin's 'Way to Wealth'" maintains that rhetorically the frame of the essay is the most important element in presenting Franklin's emphasis on the word/action dichotomy. He points out that the maxims are not aimed immediately at the reader but instead their effect is filtered through Poor Richard and the reader himself as "interested spectators," which distances the reader from the core of the action (475). Gallagher posits that "[i]n this manner, Franklin effectively 'moves' the reader without immediately confronting him directly" (476). Further, through the contrast of the audience who does not follow Father Abraham's advice and Poor Richard who embodies it, "Franklin disposes the reader to acknowledge the truth and practicality of Poor Richard's sayings before the didactic purpose of the essay is evident" (476). Gallagher notes that the opening image of Poor Richard "disarms the reader by setting up false relationships and by generating a spurious tension" concerning Richard's piqued vanity over the lack of acclaim by other authors (477). Gallagher sees that the real tension is between "the profit of words over the pleasure of words, action over language, substance over shadow" and that the more than fifty uses of "says" contrast with the one use of "does" with which the essay ends (478). He examines the entire structure of the work, paragraph by paragraph, in order to support his thesis concerning the tension between these opposing forces, concentrating heavily on the final paragraph of Franklin's work, which he says is "designed to . . . involve the reader with the thematic issues of the speech," although the body of the essay "rhetorically dwarfs this climax" (483). Richard's decision to act on the advice in contrast to the rest of the audience, Gallagher points out, shifts the emphasis to the reader in the only didactic statement of the essay, a didacticism which is masked so that the reader does not recoil from the message, but rather implicitly affirms it, impelling him to action.

    Thus, the critics all see a multiplicity in the levels of meaning in Franklin's preface, but they each have a different view of what elements are the most important in presenting Franklin's underlying message. Most critics focus on the distinction Franklin makes between passively listening to the maxims and actively applying them. In his Poor Richard persona Franklin was able to demonstrate the gulf between the aphorisms' uselessness as mere repetitions, where they could not effect any change in those who approved yet ignored their advice, and their usefulness when acted upon as Richard does. The proverbs in "The Way to Wealth" were carefully selected to present Franklin's ethical philosophy concerning the new age of "economic redemption," as Steele calls it (279), centering on industry and frugality. However, Franklin well understood the distinction between disseminating this code of economic ethics and applying it. He crafts the last paragraph to bring to fruition all the words of the preceding essay in a single action. More importantly, through presenting oppositions among the proverbs themselves and between their impact on the audience as a whole and Richard in particular, Franklin forces the reader to choose between conflicting ideas, engaging the reader in active participation and reinforcing the basis on which the preface rests.
     

    Bibliography

    Gallagher, Edward J. "The Rhetorical Strategy of Franklin's 'Way to Wealth.'" Eighteenth-Century

    Studies 6 (1973): 475-85.

    LeMay, J.A. Leo. "Benjamin Franklin." Major Writers of Early American Literature. Ed. Everett

    Emerson. Madison: U of Wisconsin P, 1972. 205-43.

    Nickels, Cameron C. "Franklin's Poor Richard's Almanacs: 'The Humblest of his Labors.'" The Oldest

    Revolutionary: Essays on Benjamin Franklin. Ed. J.A. Leo LeMay. Philadelphia: U of
    Pennsylvania P, 1976. 77-89.

    Steele, Thomas J., S.J. "Orality and Literacy in Matter and Form: Ben Franklin's 'Way to Wealth.'"

    Oral Tradition 2 (Jan. 1987): 273-85.

    Sullivan, Patrick. "Benjamin Franklin, the Inveterate (and Crafty) Public Instructor: Instruction on Two

    Levels in 'The Way to Wealth.'" Early American Literature 21 (Winter 1986-1987): 248-259.

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    This page was last updated in December of 1996.
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